If this Beyoncé song was a runway show… Because some tracks deserve heels, lights, and high fashion

Years go by and Beyoncé remains one of the world's most versatile musicians of all time. From dance pop to country, she has captivated audiences with her diverse music repertoire and vivid, unforgettable performances, cementing her status as a true icon. Apart from being a bona fide music and cultural phenomenon, Beyoncé is also a fashion icon in her own right. From Schiaparelli on stage to Versace on the red carpet, there are few who can outshine Ms Knowles. Below, nss G-Club reimagines some of the star's most iconic songs as runway shows, merging two of Queen B's passions.

If this Beyoncé song was a runway show… 

Crazy In Love (2003) 

Crazy In Love goes hand in hand with the glamorous appeal of Versace Spring/Summer 2003 ready-to-wear. The collection featured body-hugging silhouettes, neon tones, mini dresses, multicolored printed tube tops, micro shorts, mini skirts, satin jackets, leather coats, and cut-out swimsuits. With its glitzy, daring, and colorful aesthetic, it screamed Crazy in Love's sensual dance-pop rhythm. 

Beautiful Liar (2006) 

With its sultry, bohemian flair, the Roberto Cavalli Spring/Summer 2004 ready-to-wear collection captured the essence of the hit Beautiful Liar. Animal prints graced the runway, followed by fur coats, low-rise jeans, fringed mini-dresses, gowns with flowing silhouettes, and leather jackets. While there were also some clear nods to country, such as cowboy hats, the stars of the runway show were the boho floral prints, statement red gowns, and breezy dresses that channeled the legendary rhythm of Shakira and Beyoncé's collaboration. 

Single Ladies (2008) 

With its elegant and glamorous designs, the Versace Fall/Winter 1998 ready-to-wear collection channels Beyoncé's Single Ladies with see-through gowns, shimmering tops, fur coats, monochromatic looks, and a glitzy silver mesh gown that resembles "you shoulda put a ring on it" a little too much. 

Halo (2008) 

@documoda Stella McCartney's Spring/Summer 2000 show for Chloe was presented at Paris Fashion Week. Shown at the grandiose Musée du Petit Palais, McCartney's penultimate collection for Chloe was the perfect contrast between elegance and casual. #fashionarchive #2000sfashion Some Velvet Morning (feat. Kate Moss) (Remastered) - Primal Scream

Since Halo is more emotional, its fashion counterpart must honor that, too. Enter the Spring/Summer 2000 ready-to-wear collection by Chloé, which blends a somber, carefree spirit with a hint of sultriness. The collection features flowing dresses, fringed pieces, and denim in a subdued color palette that perfectly reflects the song's moody nature.

Diva (2008) 

@bruch_teil Christian Dior FALL 2000 COUTURE by John Galliano #fashion #highfashio #dior #johngalliano #archivefashion original sound - BRUCHTEIL

The Givenchy Fall/Winter 2000 Haute Couture collection is the right choice for the ultimate diva, whether it's due to its vivid colors, voluminous silhouettes, sparkling details, eye-catching accessories, or avant-garde designs.

Formation (2016) 

Blending streetwear with refinement, the Luar Fall/Winter 2023 ready-to-wear collection featured sculptural evening gowns resembling trench coats, industrial puffer outerwear, fur coats, and office siren-esque ensembles. Some of the looks were adorned with fringes, giving them a touch of whimsy, and hats, headpieces, and leather boots complimented their allure. All channeling the effortless cool energy of Beyoncé’s ‘‘Formation.’’

I'm That Girl (2022)

@muglerofficial @Beyoncé armored and untouchable in the gold corset from «Cirque d’Hiver» Fall-Winter 1995 collection by Manfred Thierry Mugler, worn in her Sweet Dreams music video - #mugler #muglerarchives original sound - Mugler

As the very epitome of extravaganza and opulence, the Thierry Mugler Fall/Winter 1995 Haute Couture is a perfect match for Beyoncé's I'm That Girl. Featuring dazzling gowns, cinched bodices, sculptural designs, sultry lady-suits, fur details, and dramatic dresses, the collection captures perfectly the same glamour of the music. 

Texas Hold’em (2024) 

@madamefigarofr Les #looks #schiaparelli

In honor of Beyoncé's Texan roots, which are evident in Texas Hold'em from Cowboy Carter, it seems fitting to attribute Daniel Roseberry's Schiaparelli Fall/Winter 2025 ready-to-wear collection to them. The Texan designer honored his origins with an avant-garde take on Western fashion, featuring bow-legged pantsuits with cowboy boots, chunky jackets, distressed denim, and duster coats.